TOMMY & PAMELA LYRICS – PESO PLUMA

[Intro: Kenia Os]
Los Marcianos, bebé

[Refrán: Peso Pluma]
Mami, déjame entrar
En pantiecito, yo te quiero sensual
Pa’ que roce to’a la noche, dale, vamo’ a perrear
Que la’ cadena’ no nos dejen de brillar
Mala fama, buena vida
Contando lo’ chavo’
En el garaje ya no me caben los Lambo’
La 40 adiamantado

Que tengo clane’ ando en todo’ lado’
Como Pablo y Gustavo
Tengo caletas con los billete’ guardado’
Dicen la’ Barbie’ que es un ambiente pesado
Que mucho dinero, que como le hago

[Coro: Peso Pluma]
Los dos sabemos que está mal
Nos perderemo’ un ratito pa’ fumar
Escondidito ella me ve
No es la oficial y no nos decimos “bebé”
Los dos sabemos que está mal
Nos perderemos un ratito pa’ fumar
Escondidito ella me ve
No es la oficial y no nos decimos “bebé”

[Verso 1: Kenia Os]
Hoy no’ ponemo’ frikis, seis más nueve, repeat
Y terminamo’ bellaqueando, un perreo contra la pared
Soy la fresa ‘e tu Martini, que esta noche estoy greedy
No llevo más na’ que sudor de Chanel
5 a.m. y yo encima ‘e ti
Brillan mis pendientes de Tiffany’s
Nos parqueamos pa’ hacerlo en el back seat
Esta noche yo estoy puesta pa’ ti (-i)

5 a.m. y yo encima ‘e ti
Brillan mis pendientes de Tiffany’s
Nos parqueamos pa’ hacerlo en el back seat
Esta noche yo estoy puesta pa’ ti (Pa’ ti)

[Coro: Peso Pluma & Kenia Os]
Los dos sabemos que está mal
Nos perderemo’ un ratito pa’ fumar
Escondidito ella me ve
No es la oficial y no nos decimos “bebé”
Los dos sabemos que está mal (Los dos sabemos)
Nos perderemos un ratito pa’ fumar (Pa’ fumar, pa’ fumar)
Escondidito ella me ve
No es la oficial y no nos decimos “bebé”

[Verso 2: Kenia Os]
Calladito pa’ que nadie nos vea-ea-ea
Yo te quito el estrés, no se entere tu ex
Pa’ que nadie nos vea-ea-ea
Grabemos la secuela del s*xtape de Tommy y Pamela
Calladito pa’ que nadie nos vea-ea-ea
Yo te quito el estrés, no se entere tu ex
Pa’ que nadie nos vea-ea-ea
Grabemos la secuela del s*xtape de Tommy y Pamela

[Refrán: Peso Pluma]
Mami, déjame entrar
En pantiecito, yo te quiero sensual
Pa’ que roce to’a la noche, dale, vamo’ a perrear
Que la’ cadena’ no nos dejen de brillar
Mala fama, buena vida
Contando lo’ chavo’
En el garaje ya no me caben los Lambo’
La .40 adiamantado
Que tengo clane’ ando en todo’ lado’
Como Pablo y Gustavo
Tengo caletas con los billete’ guardado’
Dicen la’ Barbie’ que es un ambiente pesado
Que mucho dinero, que como le hago

[Coro: Peso Pluma & Kenia Os, Kenia Os]
Los dos sabemos que está mal (Los dos sabemos)
Nos perderemo’ un ratito pa’ fumar (Pa’ fumar, pa’ fumar)
Escondidito ella me ve (Eh, eh)
No es la oficial y no nos decimos “bebé” (No nos decimos bebé)
Los dos sabemos que está mal (Los dos sabemos)
Nos perderemos un ratito pa’ fumar (Pa’ fumar, pa’ fumar)
Escondidito ella me ve
No es la oficial y no nos decimos “bebé”

[Outro: Kenia Os]
La Doble P, K Os
La bandera, bebé
Chris Jedi, ah, ah
Gaby Music
Los Marcianos, bebé

[Intro]
The introduction playfully suggests that the performers, Peso Pluma and Kenia Os, are like “Marcianos” or Martians, hinting at their unique, otherworldly approach to life and music. It sets the stage for a narrative that is bold, unconventional, and distinctively their own.

[Refrán]
In the chorus, Peso Pluma paints a picture of a night filled with sensual desires and lavish indulgence. He requests entry into a private moment of intimacy (“Mami, déjame entrar / En pantiecito, yo te quiero sensual”), eager to spend the entire night dancing and enjoying themselves without inhibition. References to luxury items like Lamborghinis and adorned weapons (“La 40 adiamantado”) underscore their opulent lifestyle and fearlessness in the face of any judgment or gossip (“Mala fama”). Despite societal perceptions, they revel in their affluence and the freedom it affords.

[Coro]
The chorus repeats the theme of a clandestine romance, acknowledging the moral ambiguity of their actions. They sneak away to share moments together (“Nos perderemos un ratito pa’ fumar”), ensuring their relationship remains hidden from public scrutiny. They avoid terms of endearment like “bebé” to maintain discretion, acknowledging the impermanence and fragility of their affair.

[Verso 1]
Kenia Os’s verse details a night of passion and luxury. She describes dancing provocatively (“ponemo’ frikis”) and enjoying intimate moments (“bellaqueando”) against a wall. She compares herself to a luxurious drink (“fresa ‘e tu Martini”), emphasizing her allure and sophistication. Her jewelry from Tiffany’s symbolizes wealth and status, reflecting their lavish lifestyle and readiness to indulge in each other until the early hours.

[Coro]
The chorus reaffirms their understanding of the moral gray area they inhabit. They steal moments away from public view, concealing their affair to avoid judgment and complications.

[Verso 2]
In her second verse, Kenia Os stresses the need for secrecy (“Calladito”) to shield their relationship from prying eyes, especially ex-partners who might not understand. She suggests creating a sequel to a notorious s*x tape, adding an element of thrill and danger to their forbidden affair.

[Refrán]
The refrain repeats, highlighting their unapologetic pursuit of pleasure and luxury. They celebrate their wealth (“Contando lo’ chavo'”) and reputation (“La .40 adiamantado”), dismissing concerns about societal norms or criticisms (“Dicen la’ Barbie'”). Their carefree attitude towards money and status defines their lifestyle, reinforcing their commitment to enjoying life to the fullest.

[Coro]
The chorus is reiterated, underscoring their mutual understanding of the taboo nature of their relationship. They continue to sneak away for moments of intimacy, keeping their affair discreet and separate from their public personas.

[Outro]
The outro credits the artists and collaborators involved in the song, solidifying their presence (“La Doble P, K Os”) and distinctive style (“La bandera, bebé”). It serves as a final assertion of their identity and place in the music industry, encapsulating the bold and unapologetic themes explored throughout the song.

1. Los Marcianos, bebé
This phrase introduces the song with a playful assertion of uniqueness, likening themselves to Martians, suggesting they’re extraordinary or different.

2. Mami, déjame entrar
A request for intimacy, asking to be allowed into a private space, setting the stage for a sensual encounter.

3. En pantiecito, yo te quiero sensual
Expresses a desire for a sensual night, implying a desire for intimacy and physical closeness.

4. Pa’ que roce to’a la noche, dale, vamo’ a perrear
They want to dance sensually all night long, emphasizing enjoyment and living in the moment.

5. Que la’ cadena’ no nos dejen de brillar
Desire for their chains (jewelry) to keep shining, symbolizing their desire to flaunt wealth and status.

6. Mala fama, buena vida
Acknowledges a reputation for mischief or scandal but embraces a good life, indicating they live lavishly despite public opinion.

7. Contando lo’ chavo’
Counting their money, suggesting they are wealthy or financially successful.

8. En el garaje ya no me caben los Lambo’
Their garage can’t fit any more Lamborghinis, boasting about their luxurious lifestyle.

9. La .40 adiamantado
Refers to a .40 caliber gun adorned with diamonds, implying a dangerous yet luxurious lifestyle.

10. Como Pablo y Gustavo
Comparing themselves to Pablo Escobar and Gustavo Gaviria, notorious figures known for their wealth and power.

These phrases collectively paint a picture of a glamorous and provocative lifestyle filled with luxury, rebellion against societal norms, and a fearless pursuit of pleasure and status.