TOMMY & PAMELA Lyrics (English Translation) – Peso Pluma

[Intro: Kenya Os]
The Martians, baby

[Saying: Featherweight]
M*mmy, let me in
In your little panties, I love you sensual
So that it rubs all night, come on, let’s go twerk
May the ‘chain’ not stop shining on us
Bad fame, good life
Counting the ‘chavo’
I can’t fit the Lambos in the garage anymore
The 40 diamond

I have a clan, I’m everywhere
Like Pablo and Gustavo
I have pockets with the tickets ‘saved’
They say ‘Barbie’ which is a heavy environment
How much money, how do I do it?

[Chorus: Featherweight]
We both know it’s wrong
We’ll miss a little while to smoke
Hidden she sees me
She’s not the official one and we don’t call each other “baby”
We both know it’s wrong
We’ll miss a little while to smoke
Hidden she sees me
It’s not the official one and we don’t call each other “baby”

[Verse 1: Kenya Os]
Today we don’t play geeks, six plus nine, repeat
And we ended up bullying, twerking against the wall
I’m the strawberry ‘e your Martini, tonight I’m greedy
I’m wearing nothing but Chanel sweat
5 am. and I’m on top of you
My Tiffany’s earrings shine
We park to do it in the back seat
Tonight I am ready for you (-i)

5 am. and I’m on top of you
My Tiffany’s earrings shine
We park to do it in the back seat
Tonight I am ready for you (For you)

[Chorus: Featherweight & Kenya Os]
We both know it’s wrong
We’ll miss a little while to smoke
Hidden she sees me
She’s not the official one and we don’t call each other “baby”
We both know it’s wrong (We both know)
We’ll miss a little while to smoke (To smoke, to smoke)
Hidden she sees me
It’s not the official one and we don’t call each other “baby”

[Verse 2: Kenya Os]
Quiet so that no one sees us-ea-ea
I take away your stress, don’t let your ex find out
So that no one sees us-ea-ea
Let’s record the sequel to Tommy and Pamela’s s*xtape
Quiet so that no one sees us-ea-ea
I take away your stress, don’t let your ex find out
So that no one sees us-ea-ea
Let’s record the sequel to Tommy and Pamela’s s*xtape

[Saying: Featherweight]
M*mmy, let me in
In your little panties, I love you sensual
So that it rubs all night, come on, let’s go and twerk
May the ‘chain’ not stop shining on us
Bad fame, good life
Counting the ‘chavo’
I can’t fit the Lambos in the garage anymore
The .40 diamond
I have a clan, I’m everywhere
Like Pablo and Gustavo
I have pockets with the tickets ‘saved’
They say ‘Barbie’ which is a heavy environment
How much money, how do I do it?

[Chorus: Featherweight & Kenya Os, Kenya Os]
We both know it’s wrong (We both know)
We’ll miss a little while to smoke (To smoke, to smoke)
Hidden away she sees me (Eh, eh)
It’s not the official one and we don’t call each other “baby” (We don’t call each other baby)
We both know it’s wrong (We both know)
We’ll miss a little while to smoke (To smoke, to smoke)
Hidden she sees me
She’s not the official one and we don’t call each other “baby”

[Outro: Kenya Os]
The Double P, K Os
The flag, baby
Chris Jedi, ah, ah
Gaby Music
The Martians, baby

[Intro]
The phrase “The Martians, baby” in the intro sets a whimsical and enigmatic tone for the song. It suggests a sense of uniqueness or otherworldliness, perhaps hinting at the unconventional nature of the narrative that unfolds in the lyrics. By invoking “The Martians,” it playfully alludes to something extraordinary or out of the ordinary, setting the stage for a story that explores themes of escapism and indulgence.

[Saying (First Occurrence)]
Featherweight’s verse delves into themes of desire, intimacy, and materialism. He expresses a longing for closeness (“M*mmy, let me in”), coupled with sensual desire (“In your little panties, I love you sensual”). The mention of “twerking” and the desire for the “chain” to keep shining alludes to a lifestyle filled with luxury and indulgence. References to “Lambos” (Lamborghinis) and a “.40 diamond” emphasize wealth and status, suggesting a world where material possessions and fame play significant roles in defining their existence. The verse paints a picture of a lavish, glamorous lifestyle intertwined with passionate, albeit clandestine, relationships.

[Chorus]
The chorus reflects on the complexities of their relationship. Despite acknowledging the moral ambiguity (“We both know it’s wrong”), they continue their affair in secrecy. The repetition underscores their awareness of the forbidden nature of their connection, as they avoid conventional labels like “baby” and choose to keep their relationship hidden from public scrutiny.

[Verse 1]
Kenya Os’ first verse describes a night filled with passionate escapades and indulgence. The lyrics depict a scene of spontaneous and risky behavior (“Today we don’t play geeks, six plus nine, repeat”), where they find excitement in pushing boundaries (“bullying, twerking against the wall”). The reference to “Chanel sweat” and “Tiffany’s earrings” underscores their luxurious surroundings and emphasizes the sensory experience of their encounter. The verse conveys a sense of unrestrained desire and thrill-seeking, capturing the rush of living on the edge in their clandestine affair.

[Chorus (Repeated)]
The chorus reiterates their mutual acknowledgment of the moral ambiguity of their actions. Despite knowing it’s not socially acceptable (“We both know it’s wrong”), they find pleasure in the thrill of secrecy (“We’ll miss a little while to smoke”). The emphasis remains on their hidden relationship, where they avoid public acknowledgment and the emotional entanglements that come with traditional labels like “baby.”

[Verse 2]
In the second verse, Kenya Os emphasizes discretion and secrecy in their affair. The lyrics suggest a desire to avoid detection (“Quiet so that no one sees us-ea-ea”), while also indulging in the excitement of their relationship. The reference to recording a sequel to a famous s*xtape adds a provocative layer to their narrative, highlighting their penchant for risk-taking and the allure of notoriety. The verse portrays a sense of rebellion and thrill-seeking behavior, where the boundaries between public image and private desire blur.

[Saying (Second Occurrence)]
Featherweight revisits themes of desire, luxury, and materialism in his second verse. He reaffirms his attraction and longing (“M*mmy, let me in”), emphasizing sensuality and physical intimacy. References to wealth (“Lambos,” “.40 diamond”) and status highlight the opulent lifestyle they lead, where material possessions symbolize success and freedom. The verse continues to evoke a world of excess and indulgence, where passion and pleasure intertwine with a desire for recognition and status.

[Chorus (Final)]
The final chorus echoes previous sentiments, underscoring their shared awareness of the forbidden nature of their relationship. Despite enjoying the thrill of secrecy (“Hidden away she sees me”), they maintain distance from conventional labels and commitments. The repetition emphasizes their choice to keep their affair private and uncomplicated, embracing the excitement and thrill of living on the edge.

[Outro]
The outro credits those involved in the song’s production, including Kenya Os (Double P), Chris Jedi, and Gaby Music, underscoring their collaborative effort in creating this provocative narrative. By concluding with “The Martians, baby,” the outro reinforces the playful and otherworldly tone introduced at the beginning, suggesting that the themes explored in the song exist in a realm where rules are bent and adventures are embraced without inhibition.

1. The Martians, baby
This phrase sets a playful and unique tone, suggesting an unconventional or out-of-this-world experience, akin to something extraordinary or beyond normal boundaries.

2. M*mmy, let me in
Expresses a desire for intimacy and closeness, using a familiar term of endearment to request emotional and physical connection.

3. In your little panties, I love you sensual
Describes a sensual and provocative attraction, emphasizing physical desire and intimacy in a bold and direct manner.

4. May the ‘chain’ not stop shining on us
Refers to a luxurious lifestyle symbolized by expensive jewelry (‘chain’), expressing a wish for continuous wealth and success.

5. Bad fame, good life
Implies that despite negative perceptions (‘bad fame’), life is enjoyable and filled with luxury and pleasure (‘good life’).

6. Counting the ‘chavo’
Means counting money (‘chavo’), indicating a focus on wealth and financial success.

7. I can’t fit the Lambos in the garage anymore
Suggests excessive wealth and luxury by referencing Lamborghinis (‘Lambos’), implying that there are too many to store.

8. The .40 diamond
Refers to a large and valuable diamond, symbolizing wealth and opulence.

9. I have a clan, I’m everywhere
Indicates influence and presence in various places, similar to influential figures like Pablo Escobar and Gustavo Gaviria.

10. They say ‘Barbie’ which is a heavy environment
Refers to a dangerous or high-risk environment (‘heavy environment’) associated with wealth and luxury (‘Barbie’). It suggests a lifestyle with both allure and risk.

These phrases collectively paint a picture of a lavish, indulgent lifestyle filled with desire, wealth, and secrecy, set against a backdrop of moral ambiguity and societal taboos.