SIN PATENTE Lyrics (English Translation) – Perro Primo

If you have a lover and another wants to meet
Go facing the other way, it’s the best thing you can do.
Go back to your house and leave him, he can’t please you
But today don’t send any because everything will come back

Voce’ was previously his wife
And before she was his wife
And you became a traitor for a moment of pleasure
You won all the tickets for being the unfaithful woman
And you became a traitor

The traitor (Seguidilla)

Rkt

I’m going to Puerto Madero I get a joint from the cashier
They said I couldn’t and I bought the banker a churro
The happy banker gave me an account with money
But I have two money in pesos outside, I don’t want it

I feel like Homer today I tip my hat
She told me that she wants it but baby I don’t want it anymore
They have snow in their pocket and they think they are sub zero
When you run out of land
You’re not going to fall into the sky

If you don’t touch it, it doesn’t work
If this dance doesn’t start
If it’s for the façade, don’t buy

I’m going to take a look at it and I’m going to get on with it.
I buy myself cigarettes, fill it with gasoline and go look for it.

Traitor, if your voice loves me, tell me now
that life ends
In half an hour
He cries, his heart breaks, he rejoins me, don’t fu*k with me, I’m just fu*king alive.

Come to the dance floor, gas the spark, you like artists and you don’t like magazine girls.
Today I do not invite you, do not insist
Today I invite a couple and you like to be the protagonist

Pa’ the dark stick dark stick
Pa’ the dark stick dark stick
Pa’ the dark stick dark stick

You like to be the protagonist
You like to be the protagonist

If you have a lover and another wants to meet
Go facing the other way, it’s the best thing you can do.
Go back to your house and leave him, he can’t please you
But today don’t send any because everything will come back

“SIN PATENTE” by Perro Primo is a song that delves into themes of infidelity, betrayal, and the consequences of deceit in relationships. It narrates the story of a woman who betrays her partner for a fleeting moment of pleasure, ultimately facing the repercussions of her actions. The lyrics caution against deceitful behavior, emphasizing the importance of loyalty and honesty in relationships. Through a mix of introspective verses and rhythmic melodies, the song captures the emotional turmoil and complexities of human connections. It warns against the allure of temptation and urges listeners to consider the consequences of their actions.

SIN PATENTE (English Translation) Lyrics Meaning

The first stanza advises against infidelity and deceit in relationships. If someone already has a partner and another person shows interest, it suggests avoiding temptation and turning away from the situation. Returning home and staying faithful is emphasized, warning against the repercussions of engaging in extramarital affairs. The phrase “today don’t send any because everything will come back” implies that actions have consequences, and deceit will eventually catch up with the individual.

The second stanza reflects on the consequences of infidelity, using the term “Voce'” to refer to the woman who was previously married to someone else. The lyrics suggest that she betrayed her husband for a moment of pleasure, earning the label of a traitor. Winning “all the tickets” metaphorically signifies gaining notoriety for being unfaithful. The repetition of “And you became a traitor” reinforces the gravity of the betrayal and its lasting impact.

The subsequent verses introduce a narrative set in Puerto Madero, where the protagonist engages in dubious activities. References to buying items like joints and churros from cashiers and bankers suggest a lifestyle marked by impulsiveness and indulgence. Despite external appearances of wealth, the protagonist expresses dissatisfaction, symbolized by rejecting the pesos and feeling aimless, likening themselves to Homer from Greek mythology.

The lyrics further explore themes of disillusionment and existential angst. The mention of “snow in their pocket” alludes to drug use and a false sense of invincibility. The metaphor of running out of land without falling into the sky suggests feeling trapped or directionless, despite outward bravado.

The final verses confront the consequences of deceit head-on. The plea for honesty and acknowledgment of love before life’s end underscores the urgency of authenticity in relationships. The protagonist’s defiance and declaration of being “just fu*king alive” reflect a raw, unapologetic attitude.

The song’s conclusion emphasizes the rejection of superficiality and pretense. The invitation to the dance floor and preference for authenticity over superficiality underscore a desire for genuine connection and experiences. The repetition of “You like to be the protagonist” serves as a reminder of the importance of being true to oneself rather than seeking validation through external means.

1. “If you have a lover and another wants to meet”
This line suggests a situation where someone already has a romantic partner, but another person expresses interest in meeting them. It sets the stage for a potential temptation or infidelity.

2. “Go facing the other way, it’s the best thing you can do.”
This phrase advises turning away from the temptation or the situation that could lead to infidelity. It emphasizes the importance of avoiding actions that could harm one’s current relationship.

3. “But today don’t send any because everything will come back”
This warning implies that actions have consequences. If one engages in deceit or infidelity, eventually, those actions will catch up with them. It underscores the idea of karma or the principle that one reaps what they sow.

4. “And you became a traitor for a moment of pleasure”
This line highlights the gravity of betrayal in relationships. It suggests that even a fleeting moment of pleasure can lead to significant consequences, including being labeled as a traitor.

5. “You like to be the protagonist”
This phrase suggests a desire for attention or to be the central figure in a situation. It could imply a tendency towards seeking validation or recognition, even at the expense of others.