Los Pulgares Lyrics (English Translation) – Ankhal

[Intro: Ankhal]
O-O-O-OTX
Ah ah ah ah ah
Mera, mera, mera, mera
oh

[Verse 1: Ankhal]
Mera, a toast to the kilos, little asses, wh*res, fentanyl
The puppets mixing with the ‘narco’ (Ah)
Making a connection on the coast and in my song
And the bugs sucking with the Busters on my boat (Hey)
How soon did it come out? Ba*tard, stop asking (No)

I am the boss that you suck so much (Uh)
I like to rap, but I’m liking this thing about tripling the ticket like this
I don’t plan it, I improvise this b!tch (Improvise)
I’m not going to give it to you—, I’m not going to give it to you in vain, m*mmy.
I’m going to make you come, I’m sure you’re going to come (Uh)
She was leading (Heh), I made her suck (Heh)
The brother saw her pu*sy from the other lane
Aha, are you going to continue?
You can’t be Anti Judaz if you don’t give your life for a bro
If they don’t kill one, we watch over his family (Hey)
An enemy dies, put the bottles up

[Chorus: Ankhal & Pressure 9X19]
And also raise the’ thumbo’, the’ thumb’, the’ thumb’ (Lo’ thumb’)
Lo’ thumbo’, lo’ thumbo’, lo’ thumbo’, aha
If this b!tch is taking photos of each other (Mera)
Take away his cell phone
And also raise the’ thumbo’, the’ thumb’, the’ thumb’ (Hey, the’ thumb’)
Lo’ thumbo’, lo’ thumbo’, lo’ thumbo’, aha (Lo’ thumbo’)
If that b!tch is taking a photo close to us
Take away his cell phone

[Verse 2: Pressure 9X19]
Let the thumbs up’ my 27 abnormales’
We ‘send it by mail after they come by sea’

I use Lysol to make it up so the dog doesn’t point.
I crown them by suitcase, tell Stassy to take them down
I sell them for 30k, I catch them for 3k
If not, we add bake to *** and crack comes out
We bite the cookie and I get 50k
Bought five Romans and one master voucher AK
I give a coso ‘e sample, like the comb on the drum
We stepped on you in the Raptor and I left no trace of you
I have a fisherman brother *** with scales
M*mmy, you’re dirty and I’m going to take you to my bed
These kilos are of order, also high-end pure
The old men smell it every morning tour
The gauge in the neck, glope and Glizzy Gang the seal
Stepping on it with soap and sending the beautiful dust
If this b!tch takes a photo, I’ll crash the cell phone
The pirates with Los Diablos hitting the barmedio

[Chorus: Pressure 9X19, Ankhal & Both]
And-and-and-and also raise the ‘thumb’, the’ thumb’, the’ thumb’, yeah
The ‘thumb’, the’ thumb’, the’ thumb’
If that ‘wh*re’ is taking photos nearby ‘and us
Take away his cell phones (Take them off)
And also raise the ‘thumb’, the’ thumb’, the’ thumb’ (Yeah, the’ thumb’)
Lo’ thumbo’, lo’ thumbo’, lo’ thumbo’, aha
If that ‘wh*re’ is taking photos of each other
Take away his cell phone

[Outro: Pressure 9X19 & Ankhal]
(Yeah, The Pressure, Glizzy Gang)
(Tell me Stash)
(Tell me, Yecko)
(Mera, turn it down, KiLow)
Speak, Gordillo
The pirates
Anti Judas to the core, hahaha

[Intro]
The intro of “Los Pulgares” sets the stage with its pulsating beats and energetic vocalizations, creating a charged atmosphere that primes the listener for the intense narrative about to unfold. The repeated sounds and exclamations serve to build anticipation and establish a rhythmic foundation, akin to a call to attention before delving into the lyrical content.

[Verse 1]
Ankhal’s verse plunges listeners into a world where criminality and power intertwine. He begins by raising a metaphorical toast to various elements synonymous with his illicit lifestyle: “kilos,” women, and drügs like fentanyl. The lyrics suggest a brazen celebration of illegal activities, where Ankhal asserts his dominance as a “boss” within this dangerous milieu. He speaks of improvisation and spontaneity in his actions, indicating a fearless approach to navigating the underworld. Loyalty and respect are central themes, as he emphasizes the consequences of betrayal and the importance of standing by one’s associates. The verse paints a picture of a life filled with risk, wealth, and bravado, where Ankhal’s narrative unfolds with unapologetic intensity.

[Chorus]
In the chorus, Ankhal and Pressure 9X19 chant about the symbolic gesture of approval — “thumbs up” — while also issuing a cautionary directive to remove the cell phones of those perceived as threats or potential informants. This refrain underscores a vigilant attitude towards safeguarding their operations and maintaining secrecy. It reflects a mindset of constant surveillance and swift action against perceived enemies, echoing themes of loyalty and protection within their circle.

[Verse 2]
Pressure 9X19 continues the narrative, providing further insight into the mechanics of their illicit enterprise. He details the logistics of drug trafficking, from smuggling and pricing to the methods used to evade detection. The verse glorifies the risks involved and the profits reaped, portraying a world where loyalty to one’s crew is rewarded and betrayal is met with severe consequences. Pressure 9X19’s lyrics paint a vivid picture of organized crime, emphasizing the meticulous planning and ruthless efficiency required to thrive in such a perilous environment.

[Chorus (Reprise)]
The reprise of the chorus amplifies the song’s central themes of loyalty, vigilance, and singerity. It reinforces the necessity of taking decisive action (“take away his cell phone”) to protect their interests and maintain control over their illicit activities. The repetition of the gesture of approval (“thumbs up”) serves as both a rallying cry and a warning sign within their tightly-knit community, where trust is scarce and betrayal is swiftly punished.

[Outro]
The outro features playful exchanges and acknowledgments among the collaborators, showcasing their camaraderie and shared identity within the criminal underworld. References to groups like “Glizzy Gang” and affirmations of being “Anti Judas” underscore their allegiance to a code of conduct that prioritizes loyalty and mutual protection. The tone, while lighthearted in delivery, reinforces the seriousness with which they view their criminal identities and affiliations, leaving listeners with a glimpse into the complex dynamics of their world.

1. Mera, a toast to the kilos, little asses, wh*res, fentanyl
This phrase celebrates and glorifies the speaker’s involvement in illegal activities such as drug trafficking (“kilos”), exploiting women (“little asses, wh*res”), and dealing in dangerous drügs like fentanyl, reflecting a brazen disregard for societal norms.

2. The puppets mixing with the ‘narco’ (Ah)
This line refers to individuals who are manipulated or controlled (“puppets”) by drug traffickers (“narco”). It suggests a network where influence and power are wielded over others for illicit purposes.

3. Making a connection on the coast and in my song
Here, the speaker boasts about establishing connections both geographically (“on the coast”) and artistically (“in my song”). It implies a dual life where criminal activities and music intertwine to amplify their reputation.

4. And the bugs sucking with the Busters on my boat (Hey)
This metaphorical expression likely refers to informants (“bugs”) who collaborate (“suck”) with law enforcement (“Busters”) against the speaker. The reference to a “boat” suggests a scenario where betrayal occurs.

5. How soon did it come out? Ba*tard, stop asking (No)
This confrontational line dismisses inquiries about the speaker’s actions, indicating impatience and a refusal to disclose information. It underscores a defiant attitude towards scrutiny or interrogation.

6. I am the boss that you suck so much (Uh)
This statement asserts the speaker’s dominance and singerity (“boss”) within their criminal enterprise. The phrase “you suck so much” suggests that others depend on or admire the speaker’s power.

7. I like to rap, but I’m liking this thing about tripling the ticket like this
The speaker enjoys rapping (“I like to rap”), but finds equal satisfaction in exponentially increasing their earnings (“tripling the ticket”). It highlights a preference for lucrative criminal activities over their musical career.

8. I don’t plan it, I improvise this b!tch (Improvise)
This line indicates a spontaneous and adaptive approach to their criminal operations (“improvise this b!tch”), suggesting a willingness to navigate challenges without detailed planning.

9. I’m not going to give it to you—, I’m not going to give it to you in vain, m*mmy.
The speaker asserts their determination not to waste their efforts (“not going to give it to you in vain”), using a term of endearment (“m*mmy”) to convey confidence and assurance in their actions.

10. She was leading (Heh), I made her suck (Heh)
This provocative line describes a s*xual encounter where the speaker took the lead (“she was leading”), asserting their dominance. The phrase “made her suck” suggests manipulation or exploitation in this context.