KTM Lyrics – Jhayco

[Intro: Jhayco]
Baby, tú sabe’ en lo que ando
¿Qué a mí me metieron? Dime cuándo
Si, enrolando, quemando
En la 65 wheeleando

[Coro: Jhayco]
Con la KTM, KTM
Sí, tengo a tu baby en el DM
Ey, salimo’ de noche, pero llegamo’ a. m
Ya no uso la BM
Y to’ los culo’ van atrá’ en la KTM, KTM, KTM

En la calle con los nene’
Aquí no te cojemo’ en serio, cabrón, tú ere’ un meme
Cuida’o con el muffle, que te quema’ con la
KTM, KTM, KTM, KTM
La Glock y las FN
Ey, ey, si, ya no uso la BM
To’ los culo’ van atrá’, ey

[Refrán: Jhayco & Luar La L]
Van atrá’, llegamo’ a la discoteca (Mera, cabrón)
(Pa’trá’, pa’trá’)
Cabrón, no te me pegue’ (Te moriste, ¿oíste?)
(Pa’trá’, pa’trá’)
Que yo no cojo esa
(Pa’trá’, pa’trá’, pa’trá’)
(La L, ¿qué?)

[Verso 1: Luar La L]
KTM 690, 19 y peine’ 30 (Brr)
Pa’ que haga’ tus camisa’ en la imprenta (De muerto)
Wheeleo el Banshee en primera, subo y le tiro segunda (Ella sabe)
Tú sabe’ quién e’ el del flow bellaco, el que a tu baby inunda (¿Qué?)
Por Carola en una goma vamo’ a salir a buscarte
Y te la vo’a dejar pega’ al cristal, cabrón, pa’ asegurarte (¿Oíste?)
Cuántos follow a mí me han hecho (De una)

El chip tiene el logo ‘e Deadshot
Le puse laser, lo que doy es headshot (Plo)
La baby se ve cabrona wheeleando en el 700
Enferma s*xual, yo tengo su tratamiento (Je)
Tiene un booty fantástico (Diablo)
Mata cuando se engancha los leggings que combinan con el color de los plástico’ (¿Qué?)
Tre’ Letra’, KTM (La L), MTK
Yo ando por to’a la 65 con los estatale’ atrá’
Tengo una Glock con los podere’ (Con to’) encima engancha’
La diabla la sintió, pero no ‘tá persia’ (Toma)
Esto es ride or die, flow Clyde y Bonnie (De una)
Baby, dame tu contacto (Hello), quiero darte contacto (Je)
Lentes de contacto son azule’, el color de mi Raptor (Diablo)
El ritual de mi pacto (Ey)
Quería ser mi rehén, me enmascaro y la rapto (De una)
Me le vengo adentro por si yo me muero, cabrón, vuelvo y nazco (¿Qué?; jajajajaja)
(Tre’ Letra’, La L)

[Coro: Jhayco & Bryant Myers]
KTM, KTM
Sí, tengo a tu baby en el DM
Ey, salimo’ de noche, pero llegamo’ a. m
Ya no uso la BM
Y to’ los culo’ van atrá’ en la KTM, KTM, KTM
En la calle con los nene’
Aquí no te cojemo’ en serio, cabrón, tú ere’ un meme
Cuida’o con el muffle, que te quema’ con la
KTM, KTM, KTM, KTM (Mera, El Mynor)
La Glock y las FN (El trap en persona)
Ey, ey, sí, ya no uso la BM (Ey) y to’ los culo’ van atrá’

[Verso 2: Bryant Myers]
Con dos reloje’ y no veo la hora de parar
Salgo en la KTM 1000 Duke y to’ los culo’ watching
En tu face pongo la SCAR si te vive’ la de Al Paci
Cabrón, las consecuencia’ no están fácil
La 23 con el Supreme de collab
El Draco tiene un collage de los de tu gang
Las paca’ azul como el pelo ‘e Marge
Adormecío’ por las Perc amarilla’ Bart
Pero siempre alert por si lo intentan again
A la primera te mando pa’ Última Hora
Después del segundo las sustancia’ me controlan
Vengan con esa movie y hasta ese día la rodan
Barba te hace un haircut con peine’ de silicona
(Grabé tu muerte en la Bashecam y a tu puta en la cama)
Cae, cae la luna y quiere miel de mi panal
Baby, baja con tus friends, ‘toy en la zona
Te quieren montar en la Honda o en el Can-Am
Yo me monto en el 7 sin tablilla
Si nos trillan, Gordo saca el palo y los astillan
Cuando las hollow estrillan te estremecen
Ustede’ no son beef, son entremese’
Tarde día’ velando a ese, al otro le di a los tres mese’, ¡brr!

[Coro: Bryant Myers & Jhayco]
Ey, KTM (KTM), KTM
La Yoshimura bota fuego como la punta ‘el R (R)
La contraexplosión parece cuando hago que suene
La baby tiene el culo por los gene’
Ey, KTM, KTM
La Yoshimura bota fuego como la punta ‘el R (R)
La contraexplosión parece cuando hago que suene
La baby tiene el culo por los gene’ (Pa’trá’, pa’trá’, pa’trá’; me toca a mí, jajaja)

[Verso 3: Jhayco]
Sí, sí, sí (Sí), el más hijeputa en esto (Sí)
Tempo en el 2002 bajo arresto
Ando en la Yamaha 1000 a 900
Entramo’ a la disco y son setenta botella’ como Héctor (Jajajaja)
Triple H como si firmé la AAA (A)
Los míos son hasta la muerte como AA
Dicen que son corriente, pero nunca la dan
Un follow a tu baby, se separan como Trebol Clan
AMG, Real G, vasos de lean y THC (C)
Ella brinca más conmigo que en el EDC
Gucci, Loui, me tapo la cara con la ski
Te prendemo’ la Vegeta, cabrón, pa’ que sienta’ el— (¡Prr!)
Pero no soy bichote, no (No)
2003, un Lamborghini, El Boster, sí (Sí)
Mi cara vendiéndose encima de un poster
Son Diesel to’ los bóxer, 200 MPH en helicopter
Pero no soy bichote, no (No)
2003, un Lamborghini, El Boster, sí (Sí)
Mi cara vendiéndose encima de un— (Pa’trá’, pa’trá’)
Son Diesel to’ los bóxer, 200 MPH en helicopter (Pa’trá’, pa’trá’)

[Interludio: Jhayco]
Oye, ¿me sigue’ o no me sigue’ todavía, canto ‘e cabrón?
Con esta prendimo’ la puta calle en fuego
¿O te va’ a hacer, gordito?
Entramo’ y ustede’

[Refrán: Jhayco & Luar La L]
Ey, van atrá’, llegamo’ a la discoteca y
(Pa’trá’, pa’trá’)
Cabrón, no te me pegue’ (¿Qué?)
(Pa’trá’, pa’trá’)
Que yo no cojo esa
(Pa’trá’, pa’trá’, pa’trá’, pa’trá’)

[Outro: Jhayco, Bryant Myers & Luar La L]
Oye, el junte que to’ el mundo fu*king estaba esperando
Mera, ey
Jhayco, La Presión, La Pressure
El Mynor
El Mynor, La Oscurida’
Bryant Myers
El trap en persona
Ey, vamo’ a hacer millone’
¿Me sigue’ o no me sigue’ todavía?
Vamo’ a hacer dinero, se acabó la guerra, jaja
Oye, nosotros no somo’ rapero’, nosotros somo’ superestrella’, cabrón
Y la isleta es de nosotro’ cuando nos salga ‘el bicho
Un aburrimiento cabrón en verda’
Mere, cabrón
¿Okey? Nosotros somo’ top en esta pendejá’
Luar La L, el Tres Letra’
¿Qué?
Acuérdate que Le Clique es la familia (Brr)
Vida Rockstar, el movimiento, yo soy el puto rockstar, ¿oíste, cabrón? (Cabrón)
House of Haze, Lil Geniuz (Ellos saben)
Dime, Haze
Es La Presión, ¡ah!
Roncando como en los tiempo’ de ante’ porque ustede’ están demasia’o de comercial (Geniuz)
Y a mis fanático’: yo no soy loco, yo soy un rockstar, jajajaja
La Presión

“KTM” by Jhayco, Bryant Myers, and Luar La L is a high-energy track that blends reggaeton with trap elements. The lyrics depict a lifestyle filled with adrenaline-fueled activities, from riding motorcycles to partying in clubs. The artists boast about their lavish possessions, including expensive bikes and firearms, while also showcasing their prowess in the music industry. With a mix of boastful verses and catchy hooks, the song exudes confidence and swagger. The repeated references to the KTM motorcycle and various firearms create a gritty atmosphere, reflecting the street culture often associated with trap music. Overall, “KTM” is a dynamic anthem that celebrates a life of luxury, danger, and success.

KTM Lyrics Meaning

[Intro: Jhayco]
The opening lines of the song set the scene and establish a sense of familiarity with a particular lifestyle. “Baby, tú sabe’ en lo que ando” suggests a casual intimacy with someone, indicating a shared understanding of the singer’s activities and preferences. The subsequent lines, “¿Qué a mí me metieron? Dime cuándo / Si, enrolando, quemando / En la 65 wheeleando,” paint a vivid picture of a reckless and adrenaline-fueled existence. References to “enrolando” (rolling) and “quemando” (burning, likely referring to smoking), along with “wheeleando” (performing wheelies), indicate a carefree and rebellious attitude, likely associated with riding motorcycles on Route 65.

[Coro: Jhayco]
The chorus encapsulates the essence of the song, celebrating the thrill and excitement of riding a KTM motorcycle. “Con la KTM, KTM” serves as a rallying cry, emphasizing the dominance and allure of this particular brand of bike. The mention of having someone’s “baby” in the DM (direct messages) adds a layer of bravado, suggesting romantic conquests facilitated by the singer’s adventurous lifestyle. By stating, “Ya no uso la BM,” the singer signals a departure from more conventional modes of transportation, opting instead for the ruggedness and excitement symbolized by the KTM.

[Refrán: Jhayco & Luar La L]
In this refrain, the singers convey a sense of authority and swagger as they arrive at a nightclub. The repetition of “pa’trá’, pa’trá'” evokes movement, perhaps suggesting a confident strut or assertive demeanor upon entering the venue. The assertive tone, combined with the warning against unwanted advances, adds to the imagery of a vibrant nightlife filled with both excitement and potential danger.

[Verso 1: Luar La L]
Luar La L’s verse is characterized by bravado and swagger, with the rapper boasting about his exploits and possessions. References to specific motorcycle models like the KTM 690 and activities like “wheeleo” (performing wheelies) add authenticity and detail to his narrative. The mention of firearms and social media interactions further establishes his image as a figure of power and influence within a street-centric subculture. The verse paints a vivid picture of a life lived on the edge, where danger and excitement go hand in hand.

[Coro: Jhayco & Bryant Myers]
Similar to the earlier chorus, this section celebrates the exhilaration and freedom associated with riding a KTM motorcycle. The repetition of the brand name emphasizes its significance within the context of the song, while the assertion that “to’ los culo’ van atrá'” reinforces the idea of dominance and control over one’s environment. By declaring, “ya no uso la BM,” the singers reaffirm their allegiance to a lifestyle characterized by adventure and risk-taking.

[Verso 2: Bryant Myers]
Bryant Myers’ verse continues the theme of bravado and excess, with the rapper boasting about his wealth, possessions, and influence. References to luxury items like watches and collaborations with high-end brands add to the imagery of opulence and extravagance. The verse also contains subtle nods to street culture, with mentions of specific neighborhoods and slang terms. Overall, Bryant Myers presents himself as a larger-than-life figure, effortlessly commanding attention and respect.

[Coro: Bryant Myers & Jhayco]
In this chorus, the singers reiterate the excitement and allure of riding a KTM motorcycle, portraying it as a symbol of power and freedom. The inclusion of specific details like the Yoshimura exhaust further enhances the imagery of speed and intensity, while the repetition of “KTM, KTM” serves to reinforce the song’s central theme.

[Verso 3: Jhayco]
Jhayco’s verse offers a glimpse into his mindset and worldview, with the rapper reflecting on his journey to success and the challenges he’s overcome along the way. References to past struggles and triumphs add depth and authenticity to his narrative, while the assertion that he’s not just a “bichote” (big shot) but a “rockstar” suggests a desire for recognition and validation. The verse also contains elements of braggadocio, with Jhayco boasting about his wealth, fame, and influence within the music industry.

[Interludio: Jhayco]
The interlude serves as a brief pause in the song, with Jhayco addressing the audience directly. His question, “¿me sigue’ o no me sigue’ todavía, canto ‘e cabrón?” (Are you still following me, you ba*tards?), suggests a desire for validation and recognition from his listeners. The mention of “prendimo’ la puta calle en fuego” (we set the damn street on fire) adds to the imagery of excitement and intensity surrounding the song.

[Refrán: Jhayco & Luar La L]
This refrain echoes the earlier refrain, with the singers adopting a confident and assertive tone as they navigate the nightlife scene. The repetition of “pa’trá’, pa’trá'” reinforces the sense of movement and action, while the warning against unwanted advances adds a layer of tension and drama to the narrative.

[Outro: Jhayco, Bryant Myers & Luar La L]
The outro brings the song to a triumphant conclusion, with the singers expressing pride and satisfaction in their accomplishments. References to their collective identity and affiliations serve to reinforce a sense of unity and camaraderie within the music industry. The declaration that “nosotros somo’ top en esta pendejá'” (we’re at the top of this s*it) suggests a sense of confidence and dominance, while the playful banter between the artists adds a touch of humor and levity to the closing moments of the song. Overall, the outro serves as a fitting end to a song filled with energy, excitement, and swagger.

1. “Baby, tú sabe’ en lo que ando”
This phrase suggests a familiarity and understanding between the speaker and their audience. It implies that the speaker’s activities and lifestyle are well-known and accepted by those around them.

2. “Con la KTM, KTM”
Here, the singer proudly declares their association with the KTM motorcycle brand. It serves as a symbol of status and adventure, emphasizing the thrill and excitement of riding these powerful bikes.

3. “Van atrá’, llegamo’ a la discoteca”
This line describes the act of arriving at a nightclub with confidence and swagger. It implies a sense of authority and dominance, with the speaker and their companions making a grand entrance.

4. “Tiene un booty fantástico”
In this phrase, the speaker compliments someone’s attractive rear end. The word “booty” is slang for buttocks, and “fantástico” emphasizes the speaker’s admiration for this physical feature.

5. “Esto es ride or die, flow Clyde y Bonnie”
This expression refers to a deep loyalty and commitment between partners, likening their relationship to that of the infamous criminal duo, Clyde Barrow and Bonnie Parker. It suggests a willingness to stick together through thick and thin.

6. “La contraexplosión parece cuando hago que suene”
Here, the speaker describes a powerful sound or explosion generated by their actions. It implies that their presence or performance commands attention and leaves a lasting impact on those around them.

7. “Vamo’ a hacer millone'”
This line expresses a desire for financial success and prosperity. The speaker is motivated to achieve wealth and abundance, indicating a determination to pursue opportunities for monetary gain.