CLS LYRICS – GEOLIER

[Strofa 1: Geolier]
So’ sempe ‘e stesse cose, nun tengo sosia, sulo figlie
Scenno ‘a dinto l’elicottero e ‘mme poso dint’ô giardino
‘Ngarrato tutte cose comme fosse sensitivo
È stata esaggerata, quase m’ha fatto nu senso ‘e schifo
Guarde comme pariammo perché sapimmo addò venimmo
Si ‘stu G fosse na Panda, c’essemo juto, c’astrignimmo
Tutto passa, comme ‘a tosse, comme ‘a fame si nn’t’abbuffe
Jiett’ ‘e sasse primma e mettere ‘a Vuitton comme prasse p’ fà ‘e zumb’ e curre
Amma sudato, nun ce gliev’ ‘a roba, mo nun ‘e misurammo
Quatto cumpagne, Quatt’ Famigl’, Chiù a me so’ cinque, 4×4 a trazione facimm’
Dudic mise pe dudic mise, ammesco ‘e carte che faccio na scala reale, Madrid

Forse ch”e tasse ch’ faccio facisse bingo

[Pre-Ritornello: Geolier]
Stu sei e tre, fa’ tre e tre
‘Sti rapper tutte quante ‘nzieme fanno 23
Eberhard cinturing e pelle comm’ ‘e vecchie stamp’
Autonome comme ‘e ribelle dint’ô Vietnam

[Ritornello: Yung Snapp]
Sto scummettenno tutte cose ‘ncuoll’a me, si perdesse, fosse sulo colpa mia
I’ nun te desse nu cunsiglio manco si ‘o tenesse, sto penzanno ê fatte mieje
Sto sfreccianno a duecento dint’ô Benz, Benz, Benz
CLS, ‘sta squadra pare ‘o PSG (PSG)
Nun fa ‘o bonifico, fa tutto cash, cash (Cash)
Euro, yeah, yeah, cash
Nun vonno maje fernì

[Strofa 2: MV Killa]
CLS, moveno ‘e pacche nun è GLS, reale pe sempe è Geolier, SLF
‘O Mercedes è full, ma tu sî nu bluff (Bleah)
Accessiorato, stammo in vacanza ca ce jescono ‘e date
M’ sfastereo scengo e accatto na Prada, aggio acciso nu rapper tengo astipato nu scheletro ‘int’a ll’armadio
Chi chiagne fotte a chi ride, i’ sto chiagnenno comme so’ felice
Moltiplic’ cifr’ bonific’, simmo buggate, sto jucanno a FIFA ch”e cumpagne mieje
Nun tengo idole, sulo rivale, nun è vuler ‘e Dio ma Lucifero

Fanno nu blitz ce n’amma fuì, cinema ‘e strada 8K 3D
Ce fanno ‘e fotografie, ce danno ‘e complete p’ascì, ce pavano primma ‘e trasì
Ce l’aveno ‘a morte cu’mmé, scumpareno sim sala bim
‘O tiempo nuosto è VVS, ‘o tiempo vuosto placcato r’oro
Se dice ‘a miseria vò cumpagnia e i’ nun me pozzo fà ‘nziem’a lloro

[Ritornello: Yung Snapp & Lele Blade]
Sto scummettenno tutte cose ‘ncuoll’a me, si perdesse, fosse sulo colpa mia
I’ nun te desse nu cunsiglio manco si ‘o tenesse, sto penzanno ê fatte mij
Sto sfreccianno a duecento dint’ô Benz, Benz, Benz
CLS, ‘sta squadra pare ‘o PSG (PSG)
Nun fa ‘o bonifico, fa tutto cash, cash (Cash)
Euro, yeah, yeah, cash
Nun vonno maje fernì (Yeah, yeah)

[Strofa 3: Lele Blade]
M’ha chiammato Emanuele, ha ditto: “O Lè, curre ccà, viene a fà nu poco ‘e rap”
I’ nun me pozzo fermà, piglio nu vol’ diretto
Quando stongo in rec, nun me toccà, piglie a corrente
SLF, intoccabile, ‘a mafia, anni 30
Te l’aggio ditto già ce piglià comme esempio
Invece p’ attirà p’attigià, comm’ e sempe, corre e nun rallenta
‘O faccio ‘a troppo tiempo, ‘a primma ca erano sorde, ‘a primma ca era nu trend
Tengo ddoje tipe, ddoje vite, ddoje vizie, ddoje fusorarie,Sky-Dweller
Tengo ‘na faccia, ‘na parola e basta, quindi s’ dic’ ‘na cosa chella è
Nuovament’ Richard Mille, penzo tropp’ overthinker
Sto ‘int’ô Defender, sanghe friddo comme killer, muso finto chino ‘e filler
Sto cu na bad b!tch rind’ ‘o privè, cu’ 10 gramm’ d’o.g rind’ ‘o k-way
Vengo rimano e ogg’, fra è nu replay, tu arriv’ semp’ aròpp’ comm’ o delay
Nun sî nu leader, manco nu dealer, sta faccia verde nun te levano ‘a skin care
Sto scummettenno na casa, sicuro già tengo ddoje case votate , ca veng’

[Ritornello: Yung Snapp]
Sto scummettenno tutte cose ‘ncuoll’a me, si perdesse, fosse sulo colpa mia
I’ nun te desse nu cunsiglio manco si ‘o tenesse, sto penzanno ê fatte mieje
Sto sfreccianno a duecento dint’ô Benz, Benz, Benz
CLS, ‘sta squadra pare ‘o PSG (PSG)
Nun fa ‘o bonifico, fa tutto cash, cash (Cash)
Euro, yeah, yeah, cash
Nun vonno maje fernì (Yeah, yeah)

[Strofa 1: Geolier]
Geolier’s verse delves into the repetitive nature of life, where he feels like he’s stuck in a loop of the same things. He asserts his individuality, stating that he has no doubles or duplicates; he’s unique. He paints a picture of opulence, describing scenes of flying in helicopters and lounging in gardens. However, amidst this extravagance, he confesses to a heightened sensitivity towards material possessions, treating them as if they were delicate and precious. Despite indulging in luxury, he admits to feeling a sense of repulsion, almost as if the excessiveness disgusts him. Geolier reminisces about the journey he and his companions have taken, reflecting on the shared experiences and the transient nature of fame and wealth. He reflects on their past struggles, comparing their unity to a tight-knit bond that has withstood the test of time and challenges.

[Pre-Ritornello: Geolier]
Geolier introduces a numerical reference, implying a combination that holds significance for him. He likens the collective power of himself and other rappers to the sum of these numbers. Additionally, he drops references to luxury items like Eberhard watches, suggesting a penchant for high-end accessories, and draws a comparison to the autonomy of rebels in Vietnam, perhaps indicating a rebellious streak or a desire for independence within the rap scene.

[Ritornello: Yung Snapp]
Yung Snapp’s chorus serves as a proclamation of accountability for his actions and decisions. He asserts that if he were to fail or falter, the blame would fall squarely on his shoulders. Despite his potential to offer advice, he refrains, choosing instead to focus on his own path and endeavors. The imagery of speeding in a Benz, specifically the “CLS” model, highlights the pace and prestige of his lifestyle. Furthermore, his insistence on cash transactions over electronic transfers speaks to a preference for immediacy and tangible wealth.

[Strofa 2: MV Killa]
MV Killa’s verse is a homage to Geolier and the SLF collective, portraying them as authentic and untouchable amidst the allure of luxury. He dismisses others as pretenders or imposters, contrasting their superficiality with his crew’s genuine nature. MV Killa revels in the trappings of wealth, from designer clothing to lavish vacations, embodying a hedonistic pursuit of pleasure. Despite the challenges he faces, he finds solace in his happiness and the camaraderie of his companions, underscoring the importance of loyalty and authenticity in his circle.

[Ritornello: Yung Snapp & Lele Blade]
Yung Snapp and Lele Blade reiterate the theme of personal responsibility and agency in their chorus. They assert their autonomy and control over their lives, emphasizing that they alone are accountable for their actions and their consequences. Drawing parallels between their crew and the prestigious Paris Saint-Germain football team adds a layer of grandeur and prestige to their self-image. Their insistence on cash transactions further reinforces their desire for immediacy and tangibility in their dealings.

[Strofa 3: Lele Blade]
Lele Blade’s verse recounts a pivotal moment in his journey, where he receives a call urging him to pursue rap. He describes his unwavering determination to press forward, likening himself and his crew to historical figures with indomitable spirits. Lele Blade reflects on the challenges he’s overcome and the resilience he’s developed, asserting his identity and values in the face of adversity. His confidence in his choices and his defiance against societal norms showcase a rebellious spirit and a refusal to conform to expectations.

[Ritornello: Yung Snapp]
In the final iteration of the chorus, Yung Snapp echoes the sentiments of personal responsibility and agency, reinforcing the idea that one’s destiny is in their own hands. He reiterates the pace and prestige of his lifestyle, comparing his crew to an elite football team and emphasizing their aversion to conventional banking methods. The repetition of the refrain serves as a powerful affirmation of their autonomy and determination in the face of societal expectations and pressures.

1. “So’ sempe ‘e stesse cose, nun tengo sosia, sulo figlie”
This line reflects on the repetitive nature of life, emphasizing Geolier’s uniqueness. He asserts that he’s always experiencing the same things, indicating a sense of monotony and individuality.

2. “Scenno ‘a dinto l’elicottero e ‘mme poso dint’ô giardino”
Geolier paints a picture of luxury and extravagance, describing scenes of flying in helicopters and relaxing in gardens. It portrays a lifestyle of opulence and indulgence.

3. “‘Ngarrato tutte cose comme fosse sensitivo”
Here, Geolier suggests a heightened sensitivity towards material possessions, treating them delicately or with special care. It conveys a sense of reverence or significance attached to his belongings.

4. “È stata esaggerata, quase m’ha fatto nu senso ‘e schifo”
Geolier expresses a feeling of disgust or repulsion towards something that has been exaggerated or taken to extremes. It hints at a discomfort with excessiveness or overindulgence.

5. “Guarde comme pariammo perché sapimmo addò venimmo”
This line reflects on the journey to success, highlighting the importance of reflecting on one’s origins and the path traveled. It suggests a sense of pride and accomplishment in overcoming obstacles and reaching a certain level of achievement.