8 Lyrics – Kehlani

[Chorus]
I’m in the mood, you know what to do
Treat this like some food
Ten minus two with you
Ain’t the point of cake, just to eat it too
I’m tryna get ate
Ten minus two with you
Eight, eight, eight, eight
Eight, eight, eight, eight
Eight, eight, eight, eight
Eight, eight, eight, eight
I’m in the mood, you know what to do

Treat this like some food
Ten minus two with you
Ain’t the point of cake, just to eat it too
I’m tryna get ate
(Ten minus two with you)
Eight, eight, eight, eight
Eight, eight, eight, eight
Eight, eight, eight, eight
Eight, eight, eight, eight

[Verse]
You don’t need them clothes when you walk in here (Take ’em off)
Even let you pick out your favorite tattoo (To lick up on)
Dive in love, baby, you waking my Poseidon up
Love when you slipping and you sliding up
One more touch and then I erupt
Let’s vibe for a minute
His black card didn’t even come with no limits
Big Body Benz, got the windows tinted
You can get nasty up in the backseat with it
Got these ass cheeks lifting up
Wouldn’t be me if I ain’t get a little nasty
Lick me, rub me, kiss me, touch me
Don’t put it past me, ’cause I’m

[Chorus]
I’m in the mood (Mood), you know what to do (Do)
Treat this like some food
Ten minus two with you (Two)
Ain’t the point of cake, just to eat it too
I’m tryna get ate
Ten minus two with you
Eight, eight, eight, eight
Eight, eight, eight, eight (I’m tryna get you, tryna get ate)
Eight, eight, eight, eight
Eight, eight, eight, eight (I’m tryna get ate)
I’m in the mood, you know what to do (Do)
Treat this like some food
Ten minus two with you
Ain’t the point of cake (Cake), just to eat it too (Just to eat it too)
I’m tryna get ate
Ten minus two with you
Eight, eight, eight, eight
Eight, eight, eight, eight (Eight)
Eight, eight, eight, eight
Eight, eight, eight, eight, eight (I’m tryna get ya, tryna get ate)

[Chorus]

In the chorus of “8” by Kehlani, she sets a playful and seductive tone. The lyrics suggest a desire for intimacy, comparing it to the enjoyment of food. When she says “Treat this like some food,” she’s implying that just like enjoying a delicious meal, she wants to savor the moment of closeness with her partner. The line “Ten minus two with you” uses clever wordplay to express a countdown or anticipation towards something exciting and intimate happening when they’re together.

Kehlani questions the conventional wisdom about having your cake and eating it too, suggesting that in this context, the pleasure isn’t just in anticipation but in fully indulging in the experience (“Ain’t the point of cake, just to eat it too”). The repetition of “Eight, eight, eight, eight” reinforces the rhythm and intensity of her desire, emphasizing her eagerness and anticipation.

[Verse]

In the verse, Kehlani continues to explore themes of intimacy and desire. She suggests a level of comfort and closeness with her partner, encouraging them to shed inhibitions (“You don’t need them clothes when you walk in here”). Her invitation for her partner to pick a favorite tattoo to “lick up on” implies a playful and sensual interaction.

She describes the feeling of love awakening powerful emotions within her (“Dive in love, baby, you waking my Poseidon up”), using poetic imagery to convey the intensity of her feelings. The mention of a “Big Body Benz” with tinted windows suggests luxury and privacy, creating a setting for intimacy.

Kehlani celebrates physical pleasure (“You can get nasty up in the backseat with it”), expressing a bold and confident s*xuality. Her openness to exploring passion and sensuality (“Lick me, rub me, kiss me, touch me”) reflects her desire to fully experience and enjoy intimate moments.

[Chorus]

The second chorus reiterates Kehlani’s mood of desire and anticipation. She rephrases her initial invitation, emphasizing her readiness for intimacy (“I’m in the mood, you know what to do”). Again, she compares the experience to enjoying food, highlighting her desire to fully indulge in the pleasure of being with her partner.

The playful wordplay continues with “Ten minus two with you,” maintaining the theme of anticipation and countdown towards intimate moments. She challenges the idea that one can’t have everything they desire (“Ain’t the point of cake, just to eat it too”), implying her readiness to embrace all aspects of physical pleasure and connection.

The repetition of “Eight, eight, eight, eight” throughout the chorus underscores her excitement and eagerness. It serves as a rhythmic backdrop to her expressions of desire and sets the tone for the passionate energy she feels in the moment. Overall, the chorus captures Kehlani’s bold and confident approach to intimacy, celebrating mutual desire and pleasure in a playful and provocative manner.

1. “I’m in the mood, you know what to do”
Kehlani expresses her readiness for intimacy and expects her partner to understand and reciprocate her desire for closeness and affection.

2. “Treat this like some food”
She suggests approaching their time together with the same enjoyment and satisfaction as one would savoring a delicious meal, emphasizing pleasure and indulgence.

3. “Ten minus two with you”
Using playful math, she counts down in anticipation of a special moment or action they’ll share, building excitement and emphasizing the imminent connection.

4. “Ain’t the point of cake, just to eat it too”
She questions the logic behind having something desirable but not fully enjoying it, implying that in matters of desire and pleasure, indulgence is natural and satisfying.

5. “I’m tryna get ate”
Kehlani openly expresses her desire to be desired and enjoyed by her partner, using playful language to convey her eagerness for intimate connection and physical closeness.